{"id":8214,"date":"2026-01-20T10:00:25","date_gmt":"2026-01-20T10:00:25","guid":{"rendered":"https:\/\/www.munichfabricstart.com\/knitform-by-jeanne-mora\/"},"modified":"2026-10-05T08:00:32","modified_gmt":"2026-10-05T08:00:32","slug":"knitform-by-jeanne-mora","status":"publish","type":"post","link":"https:\/\/www.munichfabricstart.com\/en\/knitform-by-jeanne-mora\/","title":{"rendered":"KnitForm+ by Jeanne Mora"},"content":{"rendered":"\n\n
KnitForm+ is not a new yarn system or surface innovation. What makes it different is its use of knitting as a structural design method, where form, volume, and stability are generated directly through textile construction rather than imposed through frames, padding, or rigid supports. <\/p>\n
Developed by designer Jeanne Mora, KnitForm+ positions knitting as a construction language. Stitch architecture, tension, and machine constraints become the primary drivers of form. Instead of treating these limitations as technical problems, Mora treats them as design parameters that actively shape behaviour. The result is a series of knitted structures that fold, compress, inflate, and expand through their own material logic. <\/p>\n
Material origin is intentionally secondary to structure. KnitForm+ is not presented as a fibre innovation, but as a system for working with knitted behaviour across different material bases. What matters is how the textile responds: how it regulates volume, distributes pressure, and transitions from flat to three-dimensional states. Process transparency is embedded in the methodology itself. Each form emerges through iterative sampling, structural testing, and machine-based experimentation rather than decorative finishing. <\/p>\n<\/div>\n\n\n\n\n \u00bb\u201cWhat matters is how the textile responds: how it regulates volume, distributes pressure, and transitions from flat to three-dimensional states. Process transparency is embedded in the methodology itself.\u201d\u00ab<\/p>\n <\/div>\n\n\n\n\n
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