Revolutionary Sustainability In The Textile Industry
CO2Tex stands out as a central project within BIOTEXFUTURE, focusing on CO2-containing thermoplastic polyurethane (TPU) as an alternative to conventional elastane.
Munich Fabric Start
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CO2Tex stands out as a central project within BIOTEXFUTURE, focusing on CO2-containing thermoplastic polyurethane (TPU) as an alternative to conventional elastane.
MUNICH FABRIC START for Spring.Summer 2025 came to an end with cautious optimism: around 1,000 suppliers, 11,700 visitors and a clear focus on sustainability.
In KEYHOUSE, Hall 5, progressive suppliers and global players will be showcasing trend-setting future fabrics, new process technologies and sustainable innovations on over 1,000 square metres.
Digital processes elevate design to a new level, but only when the result is right. Style3D | Assyst develops new technologies that seamlessly connect 3D design and production-ready patterns.
An editorial by Simon Angel, Curator of the SUSTAINABLE INNOVATIONS Forum, on our changing relationship with textiles – between scientific progress and artistic intimacy.
Muchaneta ten Napel talks to Lauren Bartley, Chief Sustainability Officer at GANNI, about next-generation materials, circular business models and the future of sustainable fashion.
How and where are our roots? The Linen Project revives the economic viability of local flax cultivation and linen production in the Netherlands and reconnects us with deep human values and ancient skills.
Local and recycled: Enschede Textielstad was founded in 2013 by Annemieke Koster to create responsibly produced fabrics from recycled yarns and local raw materials such as flax, hemp and wool for apparel and interior textiles.
The focus here is on circularity: it is about the recyclability of the material; a product made by Studio Sarmite can be dissolved at the end of its life and the textile fibres can be used for the next production cycle.
Bio-based, locally produced, on demand: that’s MYCOTEX by NEFFA – a flexible material whose properties lie somewhere between leather, plastic and artificial leather.
The textiles have the peotic power of tracing time. The changes in the colours make the ageing process visible and make transience a subject of discussion – spiritual as well as material.
When the programmers of KNITWEAR LAB teamed up with 3D software specialists, a completely new idea for more sustainable, cost-efficient and design-oriented pattern development and knitwear production emerged.