News & Blog
Suzanne Corcessin’s “Being Plucked” (“Être à Fleur de Peau”) utilizes unconventional textiles to argue against the notion that bird plucking and hair removal are neutral actions. Suzanne Corcessin views these acts as political, maintaining colonial and gendered hierarchies. Through bird plucking and the aesthetics of hair removal, bodies historically have been controlled and objectified.
The installation employs latex, textiles, silicone, and feathers to create textures that confront viewers with conflicting emotions, provoking new perspectives on the debate over hair removal. In this everyday decision and product debate, the question arises: Who decides what is right or wrong, beautiful or unattractive?
“Being Plucked” questions underlying assumptions and illuminates the political dimensions of decisions about one’s body. By creating textiles that evoke discomfort, Suzanne Corcessin urges a shift in the perception of the act of hair removal, breaking through the colonial and gendered structures often associated with this topic.
Modularity is not a new concept. For decades, it has shaped architecture, furniture and industrial design. Applying it to soft textiles, however, opens up an entirely new discussion.
Creativity and curiosity have always been our driving force. Our work evolves through prototypes—never finished, always raising new questions about materials, processes, and possibilities.
Both the fashion and textile industry often celebrates creativity. Yet many of the industry’s creative decisions are made long before a designer ever begins designing. Colour being one of them. The thing is, by the time a designer selects yarn, someone else has already determined the available colours, sequences and combinations. Choice exists, but only within boundaries.
“Through hands-on experimentation, I explore the potential of new surfaces and alternative forms of leather, aiming to reconnect human life with the natural world as an interconnected fabric.”
